Across these five works, created in 1983, the mirror becomes a site of tension, doubling, human form and psychological inquiry. Figures appear fragmented, confronted, or suspended between anonymous interior and exterior worlds. Reflection is never passive here — it is an active force, shaping questions of identity, perception, and the instability of seeing oneself. Color hues are intense to activate the eyes to search across the painting surface instead of a passive acceptance of flesh.
This collection gathers the core works shaped by earlier works that explore these themes, forming a narrative arc that persisted in other works across years, mediums, and emotional registers.