“Reflections (Intrusion)” stands at the intersection of perception and presence. Painted in 1976, the work captures the psychological tension of seeing and being seen — a moment where the mirror becomes both witness and participant. Tuck’s modernist figuration balances abstraction with human immediacy, inviting viewers into a layered meditation on identity, intrusion, and the instability of the gaze.
“Reflections (Intrusion)” stands at the intersection of perception and presence. Painted in 1976, the work captures the psychological tension of seeing and being seen — a moment where the mirror becomes both witness and participant. Tuck’s modernist figuration balances abstraction with human immediacy, inviting viewers into a layered meditation on identity, intrusion, and the instability of the gaze.
