Cookies (Cookie jar) (1981)

$2,160.00
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A simple pleasure, seen closely enough to become luminous

When I painted Cookies (Cookie Jar), I was drawn to the quiet beauty of an ordinary household object — something familiar, comforting, and universally understood. The large glass jar sits open, but the top edge crops the opening, so the viewer only senses its emptiness. The lid hangs downward from the top of the canvas, revealing its open state in a way that feels casual, almost incidental.

I focused on the subtle shading of the glass and the way its cast shadow stretches forward. The black lettering spelling cookies was especially important: as the light passed through the jar, the letters cast a hazy blue shadow that drifts off the bottom edge. That shadowed word appears upside down, like a reflection at the edge of a pond — a small perceptual surprise that gives the painting its quiet charm.

Even though the subject is simple, I wanted the piece to feel attentive and present. The jar becomes a symbol of everyday pleasure, but also a study in how light transforms the ordinary. It’s one of the early works where I learned how much emotional resonance could come from looking closely at something most people overlook.

  • Dimensions: 16″ × 20″

  • Medium: Oil on canvas

  • Framing: Custom-framed by me to complement my specific painting aesthetic.

A simple pleasure, seen closely enough to become luminous

When I painted Cookies (Cookie Jar), I was drawn to the quiet beauty of an ordinary household object — something familiar, comforting, and universally understood. The large glass jar sits open, but the top edge crops the opening, so the viewer only senses its emptiness. The lid hangs downward from the top of the canvas, revealing its open state in a way that feels casual, almost incidental.

I focused on the subtle shading of the glass and the way its cast shadow stretches forward. The black lettering spelling cookies was especially important: as the light passed through the jar, the letters cast a hazy blue shadow that drifts off the bottom edge. That shadowed word appears upside down, like a reflection at the edge of a pond — a small perceptual surprise that gives the painting its quiet charm.

Even though the subject is simple, I wanted the piece to feel attentive and present. The jar becomes a symbol of everyday pleasure, but also a study in how light transforms the ordinary. It’s one of the early works where I learned how much emotional resonance could come from looking closely at something most people overlook.

  • Dimensions: 16″ × 20″

  • Medium: Oil on canvas

  • Framing: Custom-framed by me to complement my specific painting aesthetic.