1975–1981: MFA Study — Form and Gesture

These early works mark the emergence of a disciplined yet intuitive visual language. Created during Richard L Tuck’s MFA studies and shortly thereafter, they explore the tension between structure and spontaneity—where gesture becomes narrative and form becomes emotion. Rooted in modernist figuration and academic rigor, this period reveals a raw, searching energy as the artist begins to define his voice through line, contour, and composition.

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